Although versed in most printmaking media, my preference has been to work in woodcuts. The reductive nature of the activity, the evidentiary pile of wood chips at the end of a work session, and the patterns of rolling and replenishing ink during printing always seems like a natural occurrence. Thematically, print projects tend to follow the same conceptual path as drawings and other works on paper. Yet primarily due to the necessity of performing demo work in teaching studio courses in printmaking, there has been a freedom of diverse thematic approaches to print projects, mostly with the inclusion of collaged elements in the composition development stages.